如今团队仅有4人,波波担任主策划,竹炭负责程序,还有一位任职一年多的美术和一位刚转正的策划助理。人虽少,却各个全能。波波自学过程序和美术,提需求时不会漫无边际;美术和程序也会主动给出功能设计上的建议。这种彼此补位的默契,让《桃源村日志》即便历经人员变动,也得以稳步推进。
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Frequent, contained public releases also work to their advantage. “I know for a lot of projects, they want to [do a] ‘we’ll release it when it’s done’ kind of thing,” said Mort. “We’ve found that releasing content builds hype, it gives players what they want, and perhaps most importantly, it serves as a proof of life and a fantastic recruitment tool.”